There
is a thundering sound up there. The first drops of rain fall on the parched
earth; they have traveled miles only to splatter against the myriad surfaces and amidst the scattering crowd looking for
shelter, a penetrable smell arises; of the soil. It has always been there but
it takes the advent of the rain to catalyze that strong happy odour, a smell
marking change, a wetness redefining green and your eyes close unconsciously as
you sniff with a deep breath and a heaving chest and the smell permeates and
fills up your senses.
And
can a stronger, better and unparalleled smell exist than that of a mother? An
infant sleeping peacefully, cuddled in the safety of her embrace; her touch and
scent an invisible layer of protection. You don’t need to turn around to know
she is there; her clothes bear elaborately that cognitive, distinct Motherly
smell and the presence of it lingers like a taken for granted comfortable
acceptance; an acceptance which didn't need any accepting.
Then
there are the myriad confusing smells of spices, the intoxicating fragrance of
the rose, the salty smell of the sea, the pungent odour of sweat, the eggy
smell of a freshly baked cake, the reeking of dried blood, the stench of death,
the raw carnal smell oozing from the wild sensations of passionately
intertwined bodies. We all have a realization of these smells but Leela, the
protagonist of this novel envisages that her olfactory senses go beyond the
normal. She has been displaced to her uncle’s house in France , abandoned by her mother due to the
untimely death of her father in Nigeria ,
where she belonged.
Her
life changes immensely as she is trying to come to terms with the acerbic tone
of her aunt and her new lessons in cooking (which would be an integral
attribute in her life later), when an untoward incident forces her to run away from
the only family she knows in France ,
that of her uncle and aunt’s.
“I had rather be a whore than return back there”, she proclaims.
Her
only friend Lotti comes as a guardian angel to her rescue and fixes her up with
a female model for sharing a room. Once with Maeve, the model, Leela
conveniently forgets Lotti. A few months later, when Maeve can’t accommodate
her due to personal reasons, she shows the way for Leela to be au pair for the Baleine’s and their two
growing children. Once comfortable with the family, she readily gives herself
to Bruno (Mr. Baleine) and dreams of him forsaking his wife for her. And this doesn't last for long as she ultimately realizes that her placement at the
Baleine’s was scripted since Bruno had a penchant for exotic females. Out of
the Baleine’s family and she dives straight into the arms of Philippe Lavalle,
a tycoon in the food business, a Casanova known to play and fiddle with beauties
and dump them at will; she wants to be famous with him as the stepping stone.
Her newly found friend Olivier, who likes her, has warned her against him but she
has this penchant of abandoning well wishers and conveniently forgetting their
favors in hard times; maybe this feeling was absorbed from her abandoning by
her mother. From one male to other, she chooses and allows herself be used and
abused and she wants people to be feel sorry for her sorry state. She keeps Philippe Lavalle mused by describing to him the various smells emanating from
his body, during the wild love making and otherwise and when she fails to
entice him anymore, he throws her out of his life like clearing a speck of dirt
from his shirt.
Almost
throughout the book, you hunt for a connection to smell, you seek to discover
the extraordinary olfactory sense of Leela, but you realize you are toyed
around with and the only unobvious premise you are presented is Leela’s disturbing
discovery of a strange unpleasant smell within herself which she is afraid will
get exposed to others and will render her unacceptable and she is turning crazy
in bits because of this made up fear. In the end, it is a stranger, a
ventriloquist who makes her realize that there is no smell, it is just a self
created veil against which she prefers hiding and has now found comfort in and how
important it is for her to drive away that fear from her mind which permits
others to strike heavily and disgracefully on this vulnerability of not being
accepted.
The
writing appears subdued to a great extent and lacks passion. The author
implicitly wants us to sympathize with Leela’s naivete and vulnerability but
the want to do so lacks merit when the character is so thankless, selfish and
unconcerned. It seemed like Radhika Jha had a mouth watering delicious dish in
mind but she somehow what is finally presented is a bland assortment on your
hungry plate.
My Rating : * * * * * * * * * * - 4/10
Radhika Jha |
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