Showing posts with label Movie Review. Show all posts
Showing posts with label Movie Review. Show all posts

Friday, June 3, 2022

Top Gun: Maverick – a movie review



I sit myself down with bated breath after the national anthem has been played. At 9 o’clock there are a few people sitting, at three, there’s a couple. I only hope that the chirpy teenagers at five don’t continue with their garrulity. And then … then, Mayday Mayday, we are hit, we are hit. Ah, no distress, pure excitement and adrenaline rush as the original Top Gun anthem is being played. Every time I hear it, in my mind I see aviator sunglasses, patched leather jacket, a roaring Kawasaki, the hurried landing and take offs of sleek man-made birds, the trained and practiced gestures of men in uniform on a naval ship. Thank you Harold Faltermeyer and Steve Stevens for this piece of passionate riveting music causing the listener, even if for a few seconds to be possessed and think themselves to be charming striking handsome naval aviators.

Exactly identical to the original till the names of the actors and crew were being displayed, I would have been so delighted if the original had been played instead of the sequel. I’ve never had the opportunity to watch the original on a big screen. In fact, I had watched Top Gun much later than when it was released, and when I did, I instantly fell in love with everything about it – the adventure, the gear, the dashing confidence, the dialogues, the script, the discipline, the rebellion, the characters, the music, the every bloody thing.

Why then was a sequel required? Before the movie begins, Tom Cruise answers this by saying that for years fans have been asking him for a sequel. I wish he hadn’t listened to them. And I’m also glad that he did!

Maverick hasn’t changed. He still goes after what he sees; still rebellious, still buzzes towers, has taken a step ahead from his circus stunt fly-by’s. As Iceman had once said, he’s unsafe and dangerous every time he goes up there. He’s deliberately still a captain, soon to return as an instructor to Top Gun. Goose is dead; he was the only family he had. Maverick often reaches out to him though, “Talk to me Goose, talk to me.” However, you won’t miss Goose much as Rooster, his son, is a spitting image of him. Surprisingly, there’s no mention of Charlie; she’s disappeared and Penny Benjamin, who is only mentioned as a passing reference in the original one is brought to life and takes her place, played by my favourite, the beautiful Jennifer Connelly. Val ‘Iceman’ Kilmer, another favourite actor, is a pleasure to watch too.

It seems the movie makers wanted the viewers to feel nostalgic about every scene from the original. And in an attempt to do so, they’ve created an over the top, fanciful, larger than life, not so easy to believe movie and moments. Most of the scenes seem contrived, the characters - the way they speak and act portray a feigned attempt to be cool. They go out of the way to be Goose and Iceman and Slider, and hence to me it came across as not very natural. In fact, I found ‘Cyclone’ trying very hard to act like the austere ‘Viper’ was in the original. Overall, I felt, they’ve struggled extensively to be like the original and that struggle shows. So, there are the 4G inverted dives that had so much surprised Charlie in the original, Mav suddenly being called to Top Gun, introduction of Maverick as an instructor to his pilots is similar to Charlie’s introduction in the original, pilots not knowing of the instructor's identity as they play along with him, going below hard deck scenes with Viper and now with Cyclone, the ‘Talk to me’’s, the competition for who’s the best fighter pilot, the game on the beach, Rooster’s rendition of ‘Great balls of fire’ just like Goose’s and so on.

Am I complaining? No, no, no and even then just a little bit, yes. Give me the original any day. As I write this, I know I’m going to go and watch it a second time on the big screen. You should too – for Cruise, for Goose, for Tony Scott – as an ode to the original.

Alright gentlemen we have a hop to take!

Revvin' up your engine
Listen to her howlin' roar
Metal under tension
Beggin' you to touch and go

Highway to the Danger Zone
Ride into the Danger Zone

Headin' into twilight
Spreadin' out her wings tonight
She got you jumpin' off the deck
Shovin' into overdrive

Highway to the Danger Zone
I'll take you right into the Danger Zone

You'll never say hello to you
Until you get it on the red line overload
You'll never know what you can do
Until you get it up as high as you can go

Out along the edges
Always where I burn to be
The further on the edge
The hotter the intensity

Highway to the Danger Zone
Gonna take it right into the Danger Zone
Highway to the Danger Zone
Ride into, the Danger Zone

Highway to the Danger Zone
Gonna take it right into the Danger Zone
Highway to the Danger Zone
Ride into the Danger Zone
Highway to the Danger Zone
Gonna take it right into the Danger Zone
Highway to the Danger Zone
Ride into the Danger Zone
Highway to the Danger Zone

Danger Zone – Top Gun soundtrack
Songwriters: Giorgio Moroder / Thomas Ross Whitlock
Danger Zone lyrics © Wb Music Corp.


Picture copyrights:

https://www.themoviedb.org/movie/361743-top-gun-maverick/images/posters

https://www.military.com/off-duty/movies/2021/02/17/tom-cruise-fully-committed-july-2-release-top-gun-maverick.html

 

Saturday, March 1, 2014

Highway - A film by Imtiaz Ali - A review

Highway - A movie review (*****)

Story and Direction : Imtiaz Ali
Cast : Randeep Hooda, Alia Bhatt
Music : AR Rahman
Lyrics : Irshad Kamil


“Jahan se tum mujhe laaye ho, mai wahan waapas nahi jaana chahti, jahan tum le jaa rahe ho, mai wahan jaana nahi chahti, lekin ye jo safar hai, abhi hai, ye raasta, mai chahti hu ke ye kabhi khatam na ho”

Freedom! What does it mean? Like all words and emotions today, freedom is subjective. Are we free? Are you? Am I? Can I drop these clothes of responsibility and wander with my naked thoughts away to the mountains where my heart belongs, where I find peace? Can I live my passion and just spend my time writing – maybe for nothing? How much money is enough? Am I crazy if I am not like you? Should I be scorned and loathed if my thoughts of normalcy go against your safe and cushioned and veiled life made up of the amalgamation of endless and varied impositions since birth? Should I be punished if I be myself? Am I obliged to laugh at every joke of yours when you trespass the sanctity of my mind every now and then? Do you bother to see beyond my hollow smile, the pain in ripples?

Sometimes (Most of the times) we are so cluttered up and accustomed to our imposed lives that we know not what freedom is and day after day we live a life without a life! The protagonist Veera (Alia Bhatt) is one such person till she gets pushed over the edge and finds herself being kidnapped.

In captivity, she finds freedom. In the angst and hatred of her kidnapper, she finds simplicity and love. She becomes aware the other side of her which was subdued till now and had never emerged before. She realizes that she can talk, can express, feel, laugh freely, can live, can irritate!

Her kidnapper, Mahavir (Randeep Hooda) is an angry man, his anger being against the rich, the powerful, against what he saw and experienced as a child, experiences even now as an adult.  Deep inside, he is just a child gone the wrong way, driven away from his mother, to the point of no return. In Veera, he sees glimpses of the unconditional love, the acceptance, his forgotten and buried childhood.

Powerful and mature performances! Alia Bhat is not a star, she is an ACTRESS! Hats off!! 11 out of 10. Her madness in the film is loud and clear. Her painstaking innocence breathes a new life in Veera. I would love to see her in more roles like these. Randeep Hooda is undoubtedly a great actor of his league. This is one of those movies that I wanted to watch because of the director Imtiaz Ali, but came home impressed with the performances of the actors.

Imtiaz Ali has got the pulse of each character and has squeezed the best from his team. A thoughtful story creatively and soulfully directed. No nonsense! If you don’t go home with a heavy heart and thoughts in your mind about the way you are living, then…..something is wrong.

AR Rahmans’ ingenuity and Irshad Kamils’ ode work wonders. The rustic and folk oriented ‘Patakha Guddi’ is a lyrical masterpiece. You will love the ‘Wanna Mashup’ song in the movie watching Veera gyrating on the road making crazy moves.

The only thing I felt as an unnecessary imposition in the film was the sexual abuse angle – somehow clichéd. While watching the film and after it, I felt there was a little more needed – what, where, how, I don’t know – but a little more of something! Overall, a must watch film.


Take the right turn....DON’T MISS THE HIGHWAY!

Thursday, November 7, 2013

Gran Torino - Movie Review

Gran Torino

Gran Torino - Client Eastwood
          Cast : Clint Eastwood, Christopher Carley, Bee Wang, Ahney Her
                    
          The movie Gran Torino is not about the car. It is more about finding friends in unwanted places, discovering trust, worthiness, motivating others to chance upon their internal strength, to fight back and more importantly to fight and oppose the notion of fighting back.
          
          Walt Kowalski, played by Clint Eastwood is a grumpy old war veteran who doesn't like the neighborhood but won't leave it either. He can't come to terms with his sons and their families. The loss of his wife is like the last nail on his coffin. He detests his Hmong neighbours and the fact that the boy in the Hmong family (Thao) attempts to steal his Gran Torino to prove himself to be a part of the rowdy and nasty Hmong gang doesn't help much. The boy gets caught. As a part of gaining forgiveness, Thao has to work for Walt. Eventually Walt takes it on himself to give some wort to the boys' life and inject a dose of self esteem into him. Both the boy and the old man find a reason to live in themselves.           
          
          However, the local gang doesn't like this association and wants the boy to be a part of their gang and when he refuses, they hurt him badly. Walt hits out on one of the gang members and as a revenge, the gang members rape the boys sister and mutilate her. The boy wants vengeance and wants Walt to help him kill the gang members. The war veteran knows that it is easy to kill, but also has learnt the hard way that after the killings, it is difficult to live each day reliving the cold eyes of the body you pumped bullets into. He knows because he was part of many such killings in Korea as a result of which each day he has to fight against those ghostly thoughts and living this lonely life has become worse than death.

          To save the Hmong boy from making the same mistake, Walt sacrifices himself. His will has nothing for his sons who are anyway doing well. He writes his house to charity while he gives his Gran Torino, the closest to his heart, a symbol of his pride to his newly formed friend, the Hmong boy, Thao.
          
          This movie is about friendship, about sacrificing yourself for the betterment of others. It is also about the false notion of youths who have digressed in their goalless lives who think and feel that power of the gun is the real power.
          
          I simply love Client Eastwoods' direction and his acting too. I find his grumpy sarcasm to be very humorous. Another of his directed movies, The Million Dollar Baby is one of my all time favourite. If you have to live that long, you should hope to age gracefully like Clint Eastwood or Amitabh Bachhan. 

Gran Torino - Ford