I
somehow thought, when I had the book in my hands, considering the praises on
its cover, that it would be a fun ride, a journey of guffaws and cunning smirks
but alas, deceived and dejected! In a single sentence, I didn’t find anything
great about the story.
So,
Michael ‘Butcher’ Boone is an artist, a cranky profane one, is recently
divorced losing a substantial count of his paintings and his child to the “Alimony
whore” as he puts it. And Hugh ‘Slow’ Bones is his brother, slow in the mind
and Michael is the one responsible to take care of him.
Marlene
Leibovitz walks into their lives one fine evening as the divorced, devastated
and exiled Michael is trying to get his career back on track painting one of
his geniuses. And Marlene, whom the Boones discover, more so the elder Michael
Boone, is a wily art authenticator, a crook, a lovely one though as they generally
are. She is the wife of the great artist Leibovitz’s son.
A ‘Leibovitz’ is stolen from Michael’s neighbor
and somehow Michael knows that the sly Marlene is responsible for the theft. He
is cognizant of her chicanery, yet indulges himself in the strength of her mind
and beauty. And the more he discovers her through their closeness, the more he slips into her contrivances, the bigger
and uglier get her deceptive and guileful plans, eventually leading to his grudging
realization as she parts with him finally that a thick wad of cash always weighs
heavier than the irrepressible pumping of the heart and the inscrutable
feelings thus generated.
Peter
Carey’s writing appears ostentatious and loud almost throughout the book. The carefree language didn’t go
well with me, I guess, since I was more eager to finish it than to savor it.
My rating: * * * * * * * * * * - 4/10
Peter Carey |
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